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As he proved with the brief, terrific South Central (1994), producer-creator Ralph Farquhar knows how to bring African-American life to television without disguising or cheapening it.THE FIVE WORST 1 ARLI$$ (HBO) A lot of sitcoms contain no laughs, but arid Arli$$ isn’t just mirthless, it’s the year’s most pathetic rip-off.10 MOESHA (UPN) There’s no current sitcom star with ebullience equal to Brandy Norwood’s; as Moesha, she’s prime time’s most engaging teenager.Beyond that, Moesha is a consistent pleasure, with punchlines that deploy hip-hop cadences with a cleverness beyond mere laugh making.And, as if in response to the criticism that NYPD seems unable to create a female character who’s not primarily a foil for the men, there seems to be a breakthrough: new addition Jill Kirkendall (Andrea Thompson), a cop who is already looking like the most resonant crime-solving woman since Helen Mirren’s Jane Tennison in Prime Suspect.2 THE X-FILES (Fox) The concept most alien to this show — displays of simple human emotions — is what kept The X-Files fresh and intriguing this season.I’m thinking not only of the racism embedded in the soul of Andy Sipowicz (the earthshakingly good Dennis Franz) but of the increasing complexity of Bobby Simone (Jimmy Smits).Whether Bobby was cruelly slapping around that squirrelly little creep Henry (Willie Garson), or finding himself unable to resist the little-boy selfishness that’s been mucking up his relationship with Diane (Kim Delaney), Smits somehow managed to make every flicker in Bobby’s mind register on his stoic face.
Less a dig at big business than a fulmination against all media culture, Profit was the funniest scary drama of the year.
Representing a final flourish of ’90s irony, it’s a deconstruction of talk shows that’s now even better than David Letterman’s.
4 NEWSRADIO (NBC) Former Sanders collaborator Paul Simms has managed something Shandling has opted not to try: an iconoclastic sitcom that nonetheless adheres to the strictures of network TV.
The ongoing theme — alien invasions in the time of the Kennedy administration — manages to be boring, trite, and tasteless all at the same time.
4 THE JEFF FOXWORTHY SHOW (NBC) The redneck routines that brought Foxworthy fame were pleasant, innocuous bits, but in retooling the comic’s flop ABC sitcom, the NBC version turns his material into marathons of joke-free vulgarity.
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In thieving attitude and atmosphere from The Larry Sanders Show, Arli$$ renders its unfunniness not merely sad but infuriating. RHODES (NBC) Even if this show about a hep-cat teacher didn’t star the charmless, barber-deprived Tom Rhodes, its ceaseless procession of ignorant yet cool students makes the show’s ”education is good” message merely depressing.